| Salò or The 120 Days of Sodom | |||||
| Criterion/Voyager (1975) | |||||
| Foreign, Horror, War | |||||
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In Collection
#1386 |
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0*
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| Paolo Bonacelli | The Duke | |
| Giorgio Cataldi | The Bishop | |
| Umberto Paolo Quintavalle | The Magistrate | |
| Aldo Valletti | The President | |
| Caterina Boratto | Signora Castelli | |
| Elsa De Giorgi | Signora Maggi | |
| Hélène Surgère | Signora Vaccari | |
| Sonia Saviange | The pianist | |
| Sergio Fascetti | Male Victim | |
| Bruno Musso | Male Victim | |
| Antonio Orlando | Male Victim | |
| Claudio Cicchetti | Male Victim | |
| Franco Merli | Male Victim | |
| Umberto Chessari | Male Victim | |
| Lamberto Book | Male Victim |
| Director |
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| Producer | Alberto Grimaldi
Alberto De Stefanis |
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| Writer | Pupi Avati
Pier Paolo Pasolini |
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Set in the Nazi-controlled, northern Italian state of Salo in 1944, four dignitaries round up sixteen perfect specimens of youth and take them together with guards, servants and studs to a palace near Marzabotto. In addition, there are four middle-aged women: three of whom recount arousing stories whilst the fourth accompanies on the piano. The story is largely taken up with their recounting the stories of Dante and De Sade: the Circle of Manias, the Circle of Shit and the Circle of Blood. Following this, the youths are executed whilst each libertine takes his turn as voyeur. |
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Features
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